Phuntroo 1st Day vs 2nd Day Box Office Collection [Marathi]

Phuntroo 1st day vs 2nd day box office collection states that Saturday is collecting better than Friday Business. The Marathi movie as per Logical movie reviews site report that the film on Friday goes with only 10% occupancy rate of audience. The film goes with above average review and rating where Pune Mirror gives 3 star rating and same goes with many other Marathi sites.

Phuntroo Marathi Movie 1st Day vs 2nd Day Box Office Collection 

The movie opened on Friday took at slow tart but till the end of the day in night, it gears some hike. The morning shows were completely dull for the Marathi movie in Pune city as well as Mumbai sas there are the only two cities which give maximum business to Marathi films.

Released on 11th March 2016, the film was seen with below average morning and afternoon shows but later on in Pune city, some good crowd was attracted in evening and night shows. The reports are not clearly out but as per the internal sources of distributors and various other media channels, the film goes with decent mark.

Phuntroo 1st day box office collection mints an approx. profit of Rs 0.49 crore* on Friday which is decent as per Marathi film but it was expected to do much more business than this because the buzz was really high. Coming on to Saturday collections, as per the morning shows and afternoon shows response the film is expected to collect better profit on second day.

Phuntroo 2nd day collection is expected to cross 55 lakhs* Rupees on Saturday taking its total 2 days collection at Rs 1.04 crore*.

So, this shows that the film will soon recover its budget mark and will be heading to earn pure profit. Stay tuned to further day exact box office figures. Film stars Ketaki Mategaonkar in lead role whereas you will get to see Madan Deodhar, Shivraj Waikar and many other actors. The director Sujay S. Dahake is able to receives decent report for his film.

Note: [*] Mark are analysed income by Trade experts after analysing total screens, audience response and occupancy rate.

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